{"id":29874,"date":"2024-07-01T10:35:23","date_gmt":"2024-07-01T10:35:23","guid":{"rendered":"https:\/\/www.theconservative.online\/ztratila-evropa-smysl-pro-krasu"},"modified":"2024-07-01T10:36:22","modified_gmt":"2024-07-01T10:36:22","slug":"ztratila-evropa-smysl-pro-krasu","status":"publish","type":"post","link":"https:\/\/www.theconservative.online\/cs\/ztratila-evropa-smysl-pro-krasu","title":{"rendered":"Ztratila Evropa smysl pro kr\u00e1su?"},"content":{"rendered":"

Pod t\u00edmto provokativn\u00edm n\u00e1zvem uspo\u0159\u00e1dalo Collegium Mathiase Corvina (MCC) 27. \u010dervna 2024 v Lisztov\u011b institutu v Bruselu<\/a> debatu. Akci p\u0159ed ma\u010farsk\u00fdm p\u0159edsednictv\u00edm v Rad\u011b Evropsk\u00e9 unie hostil J. E. Dr. Tam\u00e1s Iv\u00e1n Kov\u00e1cs, mimo\u0159\u00e1dn\u00fd a zplnomocn\u011bn\u00fd velvyslanec Ma\u010farska v Belgii a Lucembursku.<\/p>\n

Dr. Kov\u00e1cs p\u0159ipomn\u011bl, \u017ee uvnit\u0159 Lisztova institutu lze st\u00e1le obdivovat \u010d\u00e1st st\u0159edov\u011bk\u00e9 bruselsk\u00e9 zdi. Ocenil tak\u00e9 ma\u010farskou skl\u00e1\u0159skou tvorbu, kterou v sou\u010dasn\u00e9 dob\u011b v Institutu vystavuj\u00ed um\u011blci jako Endre Ga\u00e1l, L\u00e1szl\u00f3 Luk\u00e1csi, Marta Ed\u00f6cs, Anita Darabos, P\u00e9ter Borkovics, Kyra L\u00e1szl\u00f3, Krist\u00f3f Bihari, Bal\u00e1zs Sipos, Eszter B\u0151sze a Amala Gy\u00f6ngyv\u00e9r Varga. D\u00e1le ozn\u00e1mil n\u00e1v\u0161t\u011bvu prezidenta Ma\u010farsk\u00e9 republiky Dr. Tam\u00e1se Sulyoka, kter\u00e1 se uskute\u010dn\u00ed 1. \u010dervence. O den pozd\u011bji se v Parc du Cinquantenaire uskute\u010dn\u00ed oslavy ma\u010farsk\u00e9ho dne, kter\u00e9 budou zahrnovat sout\u011b\u017e o Rubikovu kostku, ma\u010farsk\u00e1 plemena ps\u016f, hudbu a tanec.<\/p>\n

Velvyslanec Kov\u00e1cs p\u0159ipomn\u011bl sv\u00e1 univerzitn\u00ed studia \u0159\u00edmsk\u00e9ho pr\u00e1va a p\u0159\u00edslov\u00ed de gustibus non est disputandum<\/em>, aby uk\u00e1zal, jak n\u011bkter\u00e9 diktatury definovaly kr\u00e1su, aby ji instrumentalizovaly. Z\u00e1rove\u0148 v\u0161ak uznal jist\u00fd objektivn\u00ed pohled na um\u011bn\u00ed, kter\u00e9 je odrazem na\u0161eho prost\u0159ed\u00ed – a\u0165 u\u017e z\u00e1m\u011brn\u00fdm, nebo nez\u00e1m\u011brn\u00fdm.<\/p>\n

Ve starov\u011bk\u00e9m \u0158ecku um\u011bn\u00ed nevyjad\u0159ovalo pouze hmotu, ale tak\u00e9 my\u0161lenky, pocity a charakter. Podle Sokrata \u0159\u00edk\u00e1me, \u017ee n\u011bco je kr\u00e1sn\u00e9, pokud to dos\u00e1hne sv\u00e9ho c\u00edle. Relativisti\u010dt\u011bji \u0159e\u010deno, Kant poru\u0161il vztah mezi kr\u00e1sou na jedn\u00e9 stran\u011b a dokonalost\u00ed \u010di mor\u00e1ln\u00edm dobrem na stran\u011b druh\u00e9, tak\u017ee um\u011bn\u00ed se stalo autonomn\u00edm a subjektivn\u00edm. Velvyslanec zd\u016fraznil, \u017ee to pom\u00e1h\u00e1 pochopit, co se nyn\u00ed d\u011bje.<\/p>\n

V diskusi o um\u011bleck\u00e9m odkazu Evropy vystoupil v\u00fdkonn\u00fd \u0159editel MCC Prof. Frank F\u00fcredi. Podle profesora F\u00fcrediho nesm\u00ed b\u00fdt um\u011bn\u00ed a kr\u00e1sa odk\u00e1z\u00e1ny pouze do muze\u00ed, ale je t\u0159eba p\u011bstovat a vychov\u00e1vat um\u011bleck\u00e9 c\u00edt\u011bn\u00ed lid\u00ed, aby se vytvo\u0159il ur\u010dit\u00fd smysl pro vkus. Na druhou stranu to nesm\u00ed v\u00e9st k instrumentalizaci um\u011bn\u00ed, jak to d\u011bl\u00e1 EU p\u0159i \u0161\u00ed\u0159en\u00ed sv\u00e9 propagandy.<\/p>\n

Panelovou diskusi vedla Dr. Katalin Deme, kter\u00e1 se ostatn\u00edch \u00fa\u010dastn\u00edk\u016f ptala, jak\u00fd by m\u011bl b\u00fdt v\u00fdznam um\u011bn\u00ed v na\u0161em stolet\u00ed, pokud chceme zachovat na\u0161i civilizaci. Prof. Jan Tarnas z Katolick\u00e9 univerzity Jana Pavla II. v Lublinu shrnul filozofick\u00fd probl\u00e9m kr\u00e1sy jako spor mezi realismem a idealismem.<\/p>\n

Tradi\u010dn\u00ed pojet\u00ed kr\u00e1sy by se soust\u0159edilo na kr\u00e1su v\u011bci jako takov\u00e9, p\u0159i\u010dem\u017e um\u011blec by se sna\u017eil o dokonalost z hlediska p\u0159\u00edrody. Um\u011bn\u00ed vytv\u00e1\u0159elo kr\u00e1sn\u00e9 p\u0159edm\u011bty k rozj\u00edm\u00e1n\u00ed. Nejlep\u0161\u00ed definici podle profesora Tarnase podal svat\u00fd Tom\u00e1\u0161 Akvinsk\u00fd, kter\u00fd napsal, \u017ee um\u011bn\u00ed napodobuje p\u0159\u00edrodu a vypl\u0148uje jej\u00ed mezery. Toto realistick\u00e9 pojet\u00ed um\u011bn\u00ed demonstruje pravdu, pop\u00edr\u00e1 relativismus a kompenzuje o\u0161klivost sv\u011bta.<\/p>\n

Jej\u00edm c\u00edlem je vnit\u0159n\u00ed a harmonick\u00e1 soudr\u017enost a vn\u011bj\u0161\u00ed veden\u00ed \u010dlov\u011bka k realizaci jeho potenci\u00e1lu.<\/p>\n

Idealistick\u00e1 vize je p\u0159edstavou imagin\u00e1rn\u00edho p\u0159\u00edzraku, v n\u011bm\u017e je kreativita hlavn\u00edm prost\u0159edkem tvorby um\u011bn\u00ed. Absolutn\u00ed svoboda se st\u00e1v\u00e1 heslem t\u00e9to modern\u00ed um\u011bleck\u00e9 ideologie. Takov\u00e1 kreativita a svoboda jsou principy, na kter\u00e9 se odvol\u00e1vaj\u00ed relativisti\u010dt\u00ed a postmodern\u00ed filozofov\u00e9, aby odd\u011blili um\u011bn\u00ed od kr\u00e1sy.<\/p>\n

Produktem takov\u00e9 ideologie je v\u0161ak podle profesora Tarnase antium\u011bn\u00ed s negativn\u00edm dopadem na civilizaci a m\u00edsto \u010dlov\u011bka v n\u00ed. Ur\u010dit\u00e9 nov\u00e9 chut\u011b vytv\u00e1\u0159\u00ed odborn\u00e1 komunita, aby roz\u0161\u00ed\u0159ila \u0161\u00edlenstv\u00ed, zvr\u00e1cenost a „civilizaci smrti“ jako prost\u0159edek soci\u00e1ln\u00edho in\u017een\u00fdrstv\u00ed.<\/p>\n

Britsk\u00fd v\u00fdtvarn\u00edk, um\u011bleck\u00fd kritik a b\u00e1sn\u00edk Alexander Adams h\u00e1j\u00ed<\/a> klasickou kr\u00e1su, p\u0159irozen\u00fd \u0159\u00e1d, zachov\u00e1n\u00ed \u0159emesla a nez\u00e1vislost autor\u016f na st\u00e1tu. Z\u00e1rove\u0148 se v\u0161ak domn\u00edv\u00e1, \u017ee \u00falohou um\u011blce nem\u016f\u017ee b\u00fdt napodobov\u00e1n\u00ed jin\u00fdch um\u011blc\u016f.<\/p>\n

Um\u011blec by m\u011bl sp\u00ed\u0161e popisovat sv\u011bt, ve kter\u00e9m \u017eije, s jedine\u010dn\u00fdmi formami m\u00edsta a \u010dasu. P\u0159\u00edkladem takov\u00e9 snahy v minulosti m\u016f\u017ee b\u00fdt Degas, kter\u00fd svou slavnou baletku zobrazoval s tv\u00e1\u0159\u00ed, je\u017e byla v t\u00e9 dob\u011b popisov\u00e1na jako opi\u010d\u00ed, a dal\u0161\u00ed Degasovy \u017eensk\u00e9 pozice byly ozna\u010dov\u00e1ny jako „anim\u00e1ln\u00ed“.<\/p>\n

Vedouc\u00ed v\u00fdzkumn\u00e1 pracovnice MCC Dr. Maren Thomov\u00e1 se sama hl\u00e1s\u00ed k idealistick\u00e9mu pohledu na um\u011bn\u00ed. Podle jej\u00edho n\u00e1zoru kr\u00e1sa spojuje lidi navz\u00e1jem. Jako filmov\u00e1 kriti\u010dka si vybrala film Orsona Wellese „Ob\u010dan Kane“, aby uk\u00e1zala, \u017ee um\u011bn\u00ed umo\u017e\u0148uje \u010dlov\u011bku napodobit Bo\u017e\u00ed schopnost tvo\u0159it kr\u00e1su, zejm\u00e9na v okam\u017eic\u00edch, kter\u00e9 lze d\u00edky jedine\u010dn\u00e9mu spojen\u00ed emoc\u00ed v prostoru a \u010dase nazvat „svat\u00fdmi“ nebo „vzne\u0161en\u00fdmi“.<\/p>\n

Um\u011bn\u00ed je n\u011bco, co n\u00e1s p\u0159esahuje, n\u011bco, co n\u00e1s p\u0159esahuje, jak by to vyj\u00e1d\u0159il Kant ve sv\u00e9 Kritice soudnosti; pro Hegela je to pocit univerz\u00e1ln\u00edho, jako kdy\u017e fanou\u0161ci sd\u00edlej\u00ed okam\u017eik mezilidsk\u00e9ho spojen\u00ed na fotbalov\u00e9m stadionu.<\/p>\n

Prof. Thom v\u0161ak dodal, \u017ee tato diskuse o vzne\u0161en\u00e9m se zd\u00e1 b\u00fdt zastaral\u00e1 a nahrazen\u00e1 „vibracemi“, slovn\u00edkem vyjad\u0159uj\u00edc\u00edm nov\u00e9 zam\u011b\u0159en\u00ed, kde kr\u00e1sa chyb\u00ed. V kinematografii je vibrace pova\u017eov\u00e1na za emocion\u00e1ln\u00ed p\u016fsoben\u00ed obraz\u016f vztahuj\u00edc\u00edch se k p\u0159edchoz\u00edm afekt\u016fm. Zat\u00edmco klasick\u00e1 kinematografie vypr\u00e1v\u011bla p\u0159\u00edb\u011bhy, dnes je to sp\u00ed\u0161e z\u00e1\u017eitek, kter\u00fd je t\u0159eba um\u011blecky vyj\u00e1d\u0159it. Ned\u00e1vn\u00fd britsk\u00fd film Saltburn je zt\u011blesn\u011bn\u00edm tohoto p\u0159\u00edstupu.<\/p>\n

\u010ctvrt\u00e1 \u00fa\u010dastnice diskuse Emma Webbov\u00e1 z britsk\u00e9 Spole\u010dnosti zdrav\u00e9ho rozumu (Common Sense Society), kter\u00e1 vych\u00e1z\u00ed sp\u00ed\u0161e z k\u0159es\u0165ansk\u00e9ho ne\u017e z idealistick\u00e9ho pojet\u00ed um\u011bn\u00ed, se shodla na tom, \u017ee pod diskus\u00ed o um\u011bn\u00ed se skr\u00fdv\u00e1 diskuse mezi k\u0159es\u0165anskou metafyzikou a hegelovskou metafyzikou.<\/p>\n

P\u0159\u00edkladem je ned\u00e1vn\u00fd spor o portr\u00e9t kr\u00e1le Karla III. od Jonathana Yeo. Skute\u010dnost, \u017ee tento obraz vyvolal reakci ve\u0159ejnosti, \u00fadajn\u011b sv\u011bd\u010d\u00ed o jeho \u00fasp\u011bchu: Um\u011bn\u00ed by m\u011blo vytv\u00e1\u0159et konverzaci, to je v podstat\u011b to, co definuje um\u011bn\u00ed.<\/p>\n

K\u0159es\u0165ansk\u00e1 metafyzika naopak ukazuje uspo\u0159\u00e1dan\u00fd vesm\u00edr stvo\u0159en\u00fd Bo\u017e\u00ed Proz\u0159etelnost\u00ed, objektivn\u00ed z\u00e1klad, kter\u00fd dal vzniknout takov\u00fdm d\u00edl\u016fm, jako jsou Michelangelovy fresky ve vatik\u00e1nsk\u00e9 Sixtinsk\u00e9 kapli.<\/p>\n

Dialektick\u00e1 definice um\u011bn\u00ed obhajovan\u00e1 hegelovskou metafyzikou kon\u010d\u00ed u porcel\u00e1nov\u00e9 font\u00e1ny s piso\u00e1rem Marcela Duchampa. Kriti\u010dt\u00ed teoretici jako Herbert Marcuse h\u00e1j\u00ed n\u00e1zor, \u017ee um\u011bn\u00ed by m\u011blo b\u00fdt zbaveno kr\u00e1sy, p\u0159i\u010dem\u017e oboj\u00ed je t\u0159eba znesv\u011btit. Jak skv\u011ble vysv\u011btlil James Lindsay<\/a> ve sv\u00e9 s\u00e9rii podcast\u016f, Marcuse a dal\u0161\u00ed \u010dlenov\u00e9 Frankfurtsk\u00e9 \u0161koly podporuj\u00ed dialektick\u00fd proces v d\u011bjin\u00e1ch, v n\u011bm\u017e p\u0159ekra\u010dujeme liber\u00e1ln\u00ed toleranci, kter\u00e1 by pouze upev\u0148ovala konzervativn\u00ed \u0159\u00e1d a „obl\u00e9kala nesn\u00e1\u0161enlivost“, sm\u011brem k pozitivn\u00edmu osvobozen\u00ed, abychom se postavili proti na\u0161\u00ed historii \u00fatlaku.<\/p>\n

V t\u00e9to logice nyn\u00ed \u017eijeme. Um\u011bn\u00edm m\u016f\u017ee b\u00fdt cokoli, pokud to slou\u017e\u00ed pokrokov\u00fdm z\u00e1m\u011br\u016fm; ty aktivn\u011b odm\u00edtaj\u00ed kr\u00e1su a na jej\u00ed m\u00edsto stav\u00ed o\u0161klivost, aby poslou\u017eily politick\u00fdm c\u00edl\u016fm. N\u011bco v n\u00e1s n\u00e1m ov\u0161em \u0159\u00edk\u00e1, \u017ee je to jen pseudoum\u011bn\u00ed, rozvrat a destrukce.<\/p>\n

Hegelovsk\u00e1 dialektika vlastn\u011b polyk\u00e1 sama sebe. To, co bylo kdysi osvobozuj\u00edc\u00ed, se v pr\u016fb\u011bhu d\u011bjin st\u00e1v\u00e1 utla\u010duj\u00edc\u00ed. Nap\u0159\u00edklad Hogarthova kritika jeho doby je dnes l\u00ed\u010dena jako kolonialistick\u00e1 a zotro\u010duj\u00edc\u00ed; knihy Virginie Woolfov\u00e9 jsou nyn\u00ed ti\u0161t\u011bny s varov\u00e1n\u00edm vydan\u00fdm hnut\u00edm woke.<\/p>\n

Ve Velk\u00e9 Brit\u00e1nii vandalov\u00e9 demoluj\u00ed sochy a vandalismus v um\u011bn\u00ed je s\u00e1m o sob\u011b pova\u017eov\u00e1n za um\u011bn\u00ed, v\u011brn\u00fd Pochodu dialektiky.<\/p>\n","protected":false},"excerpt":{"rendered":"

Pod t\u00edmto provokativn\u00edm n\u00e1zvem uspo\u0159\u00e1dalo Collegium Mathiase Corvina (MCC) 27. \u010dervna 2024 v Lisztov\u011b institutu v Bruselu debatu. Akci p\u0159ed ma\u010farsk\u00fdm p\u0159edsednictv\u00edm v Rad\u011b Evropsk\u00e9 unie hostil J. E. Dr. Tam\u00e1s Iv\u00e1n Kov\u00e1cs, mimo\u0159\u00e1dn\u00fd a zplnomocn\u011bn\u00fd velvyslanec Ma\u010farska v Belgii a Lucembursku. Dr. Kov\u00e1cs p\u0159ipomn\u011bl, \u017ee uvnit\u0159 Lisztova institutu lze st\u00e1le obdivovat \u010d\u00e1st st\u0159edov\u011bk\u00e9 bruselsk\u00e9 […]<\/p>\n","protected":false},"author":44,"featured_media":29736,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[181],"tags":[],"editorial-positions":[42],"regions":[364],"types":[449],"class_list":["post-29874","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura-cs","editorial-positions-focus","regions-western-europe-cs","types-opinion-cs"],"yoast_head":"\nZtratila Evropa smysl pro kr\u00e1su? - The Conservative<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theconservative.online\/cs\/ztratila-evropa-smysl-pro-krasu\" \/>\n<meta property=\"og:locale\" content=\"cs_CZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ztratila Evropa smysl pro kr\u00e1su? - The Conservative\" \/>\n<meta property=\"og:description\" content=\"Pod t\u00edmto provokativn\u00edm n\u00e1zvem uspo\u0159\u00e1dalo Collegium Mathiase Corvina (MCC) 27. \u010dervna 2024 v Lisztov\u011b institutu v Bruselu debatu. 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