{"id":56264,"date":"2026-05-22T15:41:08","date_gmt":"2026-05-22T15:41:08","guid":{"rendered":"https:\/\/www.theconservative.online\/tradice-a-obnova-v-divadle"},"modified":"2026-05-22T15:41:08","modified_gmt":"2026-05-22T15:41:08","slug":"tradice-a-obnova-v-divadle","status":"publish","type":"post","link":"https:\/\/www.theconservative.online\/cs\/tradice-a-obnova-v-divadle","title":{"rendered":"Tradice a obnova v divadle"},"content":{"rendered":"<p>Debata o konzervatismu se obvykle t\u00fdk\u00e1 politiky a spole\u010densk\u00e9ho v\u00fdvoje. Zaj\u00edmav\u00e1 diskuse se v\u0161ak dnes vede tak\u00e9 v kulturn\u00edm \u017eivot\u011b o tradici a obnov\u011b v r\u016fzn\u00fdch um\u011bleck\u00fdch form\u00e1ch. <\/p>\n<p>D\u00e1 se \u0159\u00edci, \u017ee architektura je um\u011bleck\u00fdm oborem, kter\u00fd se dostal do obecn\u00e9 politick\u00e9 debaty. Pravd\u011bpodobn\u011b proto, \u017ee architektura je nejen um\u011bleck\u00fdm vyj\u00e1d\u0159en\u00edm, ale tak\u00e9 um\u011bleckou prax\u00ed, kter\u00e1 ovliv\u0148uje na\u0161e \u017eivotn\u00ed prost\u0159ed\u00ed. Architektu\u0159e nem\u016f\u017eeme uniknout. \u017dijeme s n\u00ed denn\u011b. Proto mohou b\u00fdt k n\u00e1zor\u016fm na architekturu motivov\u00e1ni i lid\u00e9, kte\u0159\u00ed se o um\u011bn\u00ed a kulturu tolik nezaj\u00edmaj\u00ed. Krom\u011b architektury se v\u0161ak z\u00e1jemci o politiku obvykle prim\u00e1rn\u011b nezaj\u00edmaj\u00ed o r\u016fzn\u00e9 formy um\u011bn\u00ed.     <\/p><div class='related_content'><span>RELATED<\/span><ul><li><a href='https:\/\/www.theconservative.online\/cs\/nova-a-stara-media'>Nov\u00e1 a star\u00e1 m\u00e9dia<\/li><\/a><li><a href='https:\/\/www.theconservative.online\/cs\/plynova-realita-v-evrope-italie-prochazi-energetickou-transformaci-se-strategickou-rovnovahou'>Plynov\u00e1 realita v Evrop\u011b: It\u00e1lie proch\u00e1z\u00ed energetickou transformac\u00ed se strategickou rovnov\u00e1hou<\/li><\/a><li><a href='https:\/\/www.theconservative.online\/cs\/s-otevrenosti-je-treba-zachazet-opatrne'>S otev\u0159enost\u00ed je t\u0159eba zach\u00e1zet opatrn\u011b<\/li><\/a><\/ul><\/div>\n<p>Nyn\u00ed, na ja\u0159e roku 2026, v\u0161ak ve \u0161v\u00e9dsk\u00fdch m\u00e9di\u00edch prob\u00edh\u00e1 debata o divadle, kter\u00e1 by m\u011bla zaj\u00edmat i lidi, kte\u0159\u00ed obvykle uva\u017euj\u00ed o \u010dist\u011b politick\u00e9m konzervatismu. Je to debata, kter\u00e1 se jednozna\u010dn\u011b t\u00fdk\u00e1 konzervatismu, zachov\u00e1n\u00ed, obnovy a op\u011btovn\u00e9ho vyu\u017eit\u00ed. M\u016f\u017eeme pochopiteln\u011b p\u0159ipomenout, \u017ee divadlo muselo sto let existovat v konkurenci s filmem, stejn\u011b jako muselo mal\u00ed\u0159stv\u00ed existovat v konkurenci s fotografi\u00ed.  <\/p>\n<p>Mo\u017en\u00e1 i to p\u0159isp\u011blo k tomu, \u017ee divadlo i v\u00fdtvarn\u00e9 um\u011bn\u00ed proch\u00e1z\u00ed tak v\u00fdrazn\u00fdmi zm\u011bnami.<\/p>\n<p>Divadlo se stalo oblast\u00ed, kde by se um\u011bn\u00ed m\u011blo p\u0159ednostn\u011b obnovovat, nebo dokonce revolu\u010dn\u011b m\u011bnit. M\u011bli jsme tu realistick\u00e9 divadlo, absurdn\u00ed divadlo, aktivistick\u00e9 divadlo a vid\u011bli jsme mnoho r\u016fzn\u00fdch forem experiment\u00e1ln\u00edho divadla. Divadlu byla sv\u011b\u0159ena role nab\u00edzet sp\u00ed\u0161e kulturn\u00ed z\u00e1\u017eitky ne\u017e z\u00e1bavu a vzru\u0161en\u00ed. Film a televize musely nab\u00edzet snadno straviteln\u00e9.   <\/p>\n<p>Jeden z nejzn\u00e1m\u011bj\u0161\u00edch \u0161v\u00e9dsk\u00fdch spisovatel\u016f a z\u00e1rove\u0148 divadeln\u00ed scen\u00e1rista Jonas Gardell napsal na ja\u0159e do novin <a href=\"https:\/\/www.expressen.se\/kultur\/jonas-gardell\/ar-detta-teaterns-svar-pa-tiktok\/\">Expressen<\/a> sloupek o sou\u010dasn\u00e9m \u0161v\u00e9dsk\u00e9m divadle. \u0158\u00edk\u00e1, \u017ee u\u017e ho nebav\u00ed chodit do divadla a \u00fa\u010dastnit se pouze p\u0159edstaven\u00ed bez sc\u00e9n\u00e1\u0159e na r\u016fzn\u00e1 t\u00e9mata nebo improvizac\u00ed. Kam se pod\u011blo vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f? pt\u00e1 se Gardell. Kam jsme se dostali s dramatiky? Hry, kter\u00e9 se dochovaly z historick\u00fdch dob, jsou hry, v nich\u017e sc\u00e9n\u00e1\u0159, p\u0159\u00edb\u011bh, vypr\u00e1v\u011bn\u00ed p\u0159etrv\u00e1vaj\u00ed v \u010dase a prostoru. Opravdu nech\u00e1me na modern\u00edm filmu a televizn\u00edch seri\u00e1lech, aby lidem d\u00e1valy p\u0159\u00edb\u011bhy a postavy?      <\/p>\n<p>\u010cl\u00e1nek o debat\u011b z\u0159ejm\u011b zas\u00e1hl \u0161v\u00e9dsk\u00fd divadeln\u00ed establishment p\u0159\u00edmo do tv\u00e1\u0159e, proto\u017ee p\u0159\u00edsp\u011bvky do debaty se hrnou cel\u00e9 jaro. N\u011bkte\u0159\u00ed diskutuj\u00edc\u00ed se domn\u00edvaj\u00ed, \u017ee Gardell se ve snu vrac\u00ed do sv\u011bta, kter\u00fd u\u017e neexistuje. Mnoz\u00ed si v\u0161ak z\u0159ejm\u011b mysl\u00ed, \u017ee m\u00e1 pravdu.  <\/p>\n<p>N\u011bkte\u0159\u00ed zd\u016fraz\u0148uj\u00ed, \u017ee modern\u00ed televizn\u00ed m\u00e9dium se sv\u00fdm siln\u00fdm d\u016frazem na rozs\u00e1hl\u00e9 a div\u00e1cky nen\u00e1ro\u010dn\u00e9 p\u0159\u00edb\u011bhy a v\u00fdvoj postav op\u011bt postavilo vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f do centra dramatick\u00e9ho um\u011bn\u00ed v \u0161irok\u00e9m slova smyslu. A zd\u00e1 se, jako by z toho divadlo mohlo vyvodit dva r\u016fzn\u00e9 z\u00e1v\u011bry. <\/p>\n<p>Nebo se divadlo sna\u017e\u00ed je\u0161t\u011b v\u00edce sm\u011b\u0159ovat k nenarativnosti (&#8222;postdramatick\u00e9&#8220; divadlo). A to je to, co divadlo, jak se zd\u00e1, d\u011blalo a\u017e dosud a o \u010dem Jonas Gardell ve sv\u00e9m diskusn\u00edm \u010dl\u00e1nku \u0159ekl, \u017ee ho unavilo. <\/p>\n<p>Nebo, jak se zd\u00e1, si st\u00e1le v\u00edce lid\u00ed mysl\u00ed, \u017ee sou\u010dasn\u00e9 a mo\u017en\u00e1 i budouc\u00ed divadlo se m\u016f\u017ee st\u00e1t sou\u010d\u00e1st\u00ed n\u00e1vratu dramatick\u00e9ho vypr\u00e1v\u011bn\u00ed. Dramaturgyn\u011b Malin Axelssonov\u00e1 zde ve sv\u00e9m \u010dl\u00e1nku p\u0159edkl\u00e1d\u00e1 zaj\u00edmavou my\u0161lenku, \u017ee dne\u0161n\u00ed mlad\u00e9 potenci\u00e1ln\u00ed publikum je vy\u0161koleno ve vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f a v\u00fdvoji postav zp\u016fsobem, jak\u00fdm publikum star\u0161\u00edch generac\u00ed nebylo. Mlad\u00ed lid\u00e9 si smysl pro p\u0159\u00edb\u011bhy, rozpory a dramata vyp\u011bstovali konzumac\u00ed televizn\u00edch seri\u00e1l\u016f, ale do jist\u00e9 m\u00edry tak\u00e9 pomoc\u00ed dynamick\u00fdch po\u010d\u00edta\u010dov\u00fdch her.  <\/p>\n<p>&#8222;Dne\u0161n\u00ed mlad\u00e9 publikum,&#8220; p\u00ed\u0161e Axelsson <a href=\"https:\/\/www.expressen.se\/kultur\/kulturdebatt\/vi-far-inte-lamna--walkover-till-netflix\/\">ve sv\u00e9m diskusn\u00edm p\u0159\u00edsp\u011bvku<\/a>, &#8222;je zcela nov\u00fdm typem publika. Dne\u0161n\u00ed mlad\u00ed lid\u00e9 \u010dasto vid\u011bli tis\u00edce hodin pokro\u010dil\u00e9ho vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f, ne\u017e jim bylo dvacet. Intuitivn\u011b ch\u00e1pou paraleln\u00ed z\u00e1pletky, \u017e\u00e1nrov\u00e9 zlomy a dlouh\u00e9 emocion\u00e1ln\u00ed oblouky. To, \u017ee se divadla sna\u017e\u00ed oslovit toto publikum, by nem\u011blo b\u00fdt vn\u00edm\u00e1no jako ohro\u017een\u00ed um\u011bn\u00ed, ale sp\u00ed\u0161e jako samoz\u0159ejm\u00e1 ambice. Pokud nechceme, aby divadlo zaniklo.&#8220;<\/p>\n<p>Pro konzervativn\u00edho konzumenta kultury je mo\u017en\u00e1 pou\u010den\u00edm, \u017ee i obnova n\u011bkdy kon\u010d\u00ed ve slep\u00e9 uli\u010dce. K obnov\u011b divadla a vypr\u00e1v\u011bn\u00ed v divadle nemus\u00ed doj\u00edt jen t\u00edm, \u017ee divadlo opust\u00ed vypr\u00e1v\u011bn\u00ed, ale t\u00edm, \u017ee se vypr\u00e1v\u011bn\u00ed prost\u011b zlep\u0161\u00ed. A pokud je pravda, \u017ee mlad\u00ed lid\u00e9 \u010dtou m\u00e9n\u011b knih, mo\u017en\u00e1 je p\u0159im\u011bjeme chodit do divadla.  <\/p>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>Debata o konzervatismu se obvykle t\u00fdk\u00e1 politiky a spole\u010densk\u00e9ho v\u00fdvoje. Zaj\u00edmav\u00e1 diskuse se v\u0161ak dnes vede tak\u00e9 v kulturn\u00edm \u017eivot\u011b o tradici a obnov\u011b v r\u016fzn\u00fdch um\u011bleck\u00fdch form\u00e1ch. D\u00e1 se \u0159\u00edci, \u017ee architektura je um\u011bleck\u00fdm oborem, kter\u00fd se dostal do obecn\u00e9 politick\u00e9 debaty. Pravd\u011bpodobn\u011b proto, \u017ee architektura je nejen um\u011bleck\u00fdm vyj\u00e1d\u0159en\u00edm, ale tak\u00e9 um\u011bleckou prax\u00ed, [&hellip;]<\/p>\n","protected":false},"author":85,"featured_media":56076,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[181],"tags":[3201,3200,1000,585,554],"editorial-positions":[],"regions":[344,404],"types":[415,449,441],"class_list":["post-56264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultura-cs","tag-renewalinart","tag-theatre","tag-conservatism","tag-culture","tag-sweden","regions-northern-europe-cs","regions-world-cs","types-news-cs","types-opinion-cs","types-surveys-cs"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tradice a obnova v divadle - The Conservative<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theconservative.online\/cs\/tradice-a-obnova-v-divadle\" \/>\n<meta property=\"og:locale\" content=\"cs_CZ\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tradice a obnova v divadle - The Conservative\" \/>\n<meta property=\"og:description\" content=\"Debata o konzervatismu se obvykle t\u00fdk\u00e1 politiky a spole\u010densk\u00e9ho v\u00fdvoje. Zaj\u00edmav\u00e1 diskuse se v\u0161ak dnes vede tak\u00e9 v kulturn\u00edm \u017eivot\u011b o tradici a obnov\u011b v r\u016fzn\u00fdch um\u011bleck\u00fdch form\u00e1ch. D\u00e1 se \u0159\u00edci, \u017ee architektura je um\u011bleck\u00fdm oborem, kter\u00fd se dostal do obecn\u00e9 politick\u00e9 debaty. Pravd\u011bpodobn\u011b proto, \u017ee architektura je nejen um\u011bleck\u00fdm vyj\u00e1d\u0159en\u00edm, ale tak\u00e9 um\u011bleckou prax\u00ed, [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.theconservative.online\/cs\/tradice-a-obnova-v-divadle\" \/>\n<meta property=\"og:site_name\" content=\"The Conservative\" \/>\n<meta property=\"article:published_time\" content=\"2026-05-22T15:41:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.theconservative.online\/wp-content\/uploads\/2026\/05\/teater-bild-2-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1682\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Richard S\u00f6rman\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napsal(a)\" \/>\n\t<meta name=\"twitter:data1\" content=\"Richard S\u00f6rman\" \/>\n\t<meta name=\"twitter:label2\" content=\"Odhadovan\u00e1 doba \u010dten\u00ed\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minuty\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.theconservative.online\/cs\/tradice-a-obnova-v-divadle#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.theconservative.online\/cs\/tradice-a-obnova-v-divadle\"},\"author\":{\"name\":\"Richard S\u00f6rman\",\"@id\":\"https:\/\/www.theconservative.online\/cs#\/schema\/person\/769a6928b1a6145a095dde8677e8dc31\"},\"headline\":\"Tradice a obnova v divadle\",\"datePublished\":\"2026-05-22T15:41:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.theconservative.online\/cs\/tradice-a-obnova-v-divadle\"},\"wordCount\":884,\"image\":{\"@id\":\"https:\/\/www.theconservative.online\/cs\/tradice-a-obnova-v-divadle#primaryimage\"},\"thumbnailUrl\":\"https:\/\/www.theconservative.online\/wp-content\/uploads\/2026\/05\/teater-bild-2-scaled.jpg\",\"keywords\":[\"#renewalinart\",\"#theatre\",\"Conservatism\",\"culture\",\"Sweden\"],\"articleSection\":[\"Kultura\"],\"inLanguage\":\"cs\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.theconservative.online\/cs\/tradice-a-obnova-v-divadle\",\"url\":\"https:\/\/www.theconservative.online\/cs\/tradice-a-obnova-v-divadle\",\"name\":\"Tradice a obnova v divadle - 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Zaj\u00edmav\u00e1 diskuse se v\u0161ak dnes vede tak\u00e9 v kulturn\u00edm \u017eivot\u011b o tradici a obnov\u011b v r\u016fzn\u00fdch um\u011bleck\u00fdch form\u00e1ch. D\u00e1 se \u0159\u00edci, \u017ee architektura je um\u011bleck\u00fdm oborem, kter\u00fd se dostal do obecn\u00e9 politick\u00e9 debaty. 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