{"id":29872,"date":"2024-07-01T10:35:23","date_gmt":"2024-07-01T10:35:23","guid":{"rendered":"https:\/\/www.theconservative.online\/si-a-pierdut-europa-simtul-frumusetii"},"modified":"2024-07-01T10:36:24","modified_gmt":"2024-07-01T10:36:24","slug":"si-a-pierdut-europa-simtul-frumusetii","status":"publish","type":"post","link":"https:\/\/www.theconservative.online\/ro\/si-a-pierdut-europa-simtul-frumusetii","title":{"rendered":"\u0218i-a pierdut Europa sim\u021bul frumuse\u021bii?"},"content":{"rendered":"

Cu un titlu at\u00e2t de provocator, Mathias Corvinus Collegium (MCC) a organizat o dezbatere la Institutul Liszt din Bruxelles<\/a> la 27 iunie 2024. Evenimentul a fost g\u0103zduit, \u00eenaintea Pre\u0219edin\u021biei maghiare a Consiliului Uniunii Europene, de E.S. Dr. Tam\u00e1s Iv\u00e1n Kov\u00e1cs, Ambasador Extraordinar \u0219i Plenipoten\u021biar al Ungariei \u00een Belgia \u0219i Luxemburg.<\/p>\n

Dr. Kov\u00e1cs a reamintit c\u0103 \u00een interiorul Institutului Liszt se poate admira \u00eenc\u0103 o parte din zidul medieval al Bruxelles-ului. El a l\u0103udat, de asemenea, lucr\u0103rile maghiare din sticl\u0103 expuse \u00een prezent la Institut de arti\u0219ti precum Endre Ga\u00e1l, L\u00e1szl\u00f3 Luk\u00e1csi, Marta Ed\u00f6cs, Anita Darabos, P\u00e9ter Borkovics, Kyra L\u00e1szl\u00f3, Krist\u00f3f Bihari, Bal\u00e1zs Sipos, Eszter B\u0151sze \u0219i Amala Gy\u00f6ngyv\u00e9r Varga. \u00cen plus, el a anun\u021bat vizita pre\u0219edintelui Republicii Ungaria, Dr. Tam\u00e1s Sulyok, la 1 iulie. O zi mai t\u00e2rziu, s\u0103rb\u0103torirea Zilei Maghiare va avea loc la Parc du Cinquantenaire, incluz\u00e2nd un concurs de cuburi Rubik, rase de c\u00e2ini maghiari, plus muzic\u0103 \u0219i dans.<\/p>\n

Ambasadorul Kov\u00e1cs \u0219i-a adus aminte de studiile sale universitare de drept roman \u0219i de proverbul de gustibus non est disputandum<\/em>, pentru a ar\u0103ta cum unele dictaturi au definit frumuse\u021bea pentru a o instrumentaliza. Dar, \u00een acela\u0219i timp, el a recunoscut un anumit punct de vedere obiectiv, arta fiind o reflec\u021bie asupra mediului nostru – fie inten\u021bionat, fie neinten\u021bionat.<\/p>\n

\u00cen Grecia Antic\u0103, arta nu exprima doar materia, ci \u0219i g\u00e2ndurile, sentimentele \u0219i caracterul. Potrivit lui Socrate, spunem c\u0103 ceva este frumos dac\u0103 \u00ee\u0219i atinge scopul. Mai relativist, Kant a rupt rela\u021bia dintre frumuse\u021be, pe de o parte, \u0219i perfec\u021biune sau bine moral, pe de alt\u0103 parte, astfel \u00eenc\u00e2t arta a devenit autonom\u0103 \u0219i subiectiv\u0103. Ambasadorul a \u021binut s\u0103 precizeze c\u0103 acest lucru ajut\u0103 la \u00een\u021belegerea a ceea ce se \u00eent\u00e2mpl\u0103 acum.<\/p>\n

Directorul executiv al MCC, Prof. Frank F\u00fcredi, a luat cuv\u00e2ntul pentru a prezenta discu\u021bia privind mo\u0219tenirea artistic\u0103 a Europei. Potrivit profesorului F\u00fcredi, arta \u0219i frumuse\u021bea nu trebuie relegate doar la muzee; sensibilitatea artistic\u0103 a oamenilor trebuie hr\u0103nit\u0103 \u0219i educat\u0103, pentru a crea un anumit sim\u021b al gustului. Pe de alt\u0103 parte, acest lucru nu trebuie s\u0103 conduc\u0103 la instrumentalizarea artei, a\u0219a cum este cazul UE pentru a-\u0219i distribui propaganda.<\/p>\n

Dr. Katalin Deme a condus o discu\u021bie de grup, \u00eentreb\u00e2ndu-i pe ceilal\u021bi participan\u021bi care ar trebui s\u0103 fie sensul artei \u00een secolul nostru, dac\u0103 dorim s\u0103 ne p\u0103str\u0103m civiliza\u021bia. Prof. Jan Tarnas, de la Universitatea Catolic\u0103 Ioan Paul al II-lea din Lublin, a rezumat problema filosofic\u0103 a frumuse\u021bii ca o dezbatere \u00eentre realism \u0219i idealism.<\/p>\n

O descriere tradi\u021bional\u0103 a frumuse\u021bii ar tinde s\u0103 se concentreze pe frumuse\u021bea unui lucru \u00een sine, artistul viz\u00e2nd perfec\u021biunea din perspectiva naturii. Arta a produs obiecte frumoase pentru contemplare. Cea mai bun\u0103 defini\u021bie, potrivit profesorului Tarnas, a fost oferit\u0103 de Sf\u00e2ntul Toma de Aquino, care a scris c\u0103 arta imit\u0103 natura \u0219i \u00eei umple golurile. Aceast\u0103 concep\u021bie realist\u0103 a artei demonstreaz\u0103 adev\u0103rul, neag\u0103 relativismul \u0219i compenseaz\u0103 ur\u00e2\u021benia din lume.<\/p>\n

Obiectivele sale sunt coeren\u021ba interioar\u0103 \u0219i armonioas\u0103 \u0219i orientarea exterioar\u0103 a fiin\u021bei umane c\u0103tre realizarea poten\u021bialului s\u0103u.<\/p>\n

Viziunea idealist\u0103 este cea a unei fantome imaginare \u00een care creativitatea este principalul mijloc de a produce art\u0103. Libertatea absolut\u0103 devine un slogan al acestei ideologii artistice moderne. Aceast\u0103 creativitate \u0219i libertate sunt principiile invocate de filosofii relativi\u0219ti \u0219i postmoderni pentru a separa arta de frumos.<\/p>\n

Cu toate acestea, produsul unei astfel de ideologii, potrivit profesorului Tarnas, este o anti-arte cu un impact negativ asupra civiliza\u021biei \u0219i asupra locului fiin\u021bei umane \u00een cadrul acesteia. Anumite gusturi noi sunt create de o comunitate de exper\u021bi pentru a extinde nebunia, depravarea \u0219i o „civiliza\u021bie a mor\u021bii” ca mijloc de inginerie social\u0103.<\/p>\n

Artistul, criticul de art\u0103 \u0219i poetul britanic Alexander Adams a ap\u0103rat<\/a> frumuse\u021bea clasic\u0103, ordinea natural\u0103, conservarea me\u0219te\u0219ugului \u0219i independen\u021ba autorilor fa\u021b\u0103 de stat. Totu\u0219i, \u00een acela\u0219i timp, el crede c\u0103 rolul unui artist nu poate fi imitarea altor arti\u0219ti.<\/p>\n

Mai degrab\u0103, artistul ar trebui s\u0103 descrie lumea \u00een care tr\u0103ie\u0219te, cu forme unice de loc \u0219i timp. Un exemplu de astfel de efort \u00een trecut ar fi Degas, care a portretizat-o pe faimoasa sa balerin\u0103 cu o fa\u021b\u0103 descris\u0103 la acea vreme ca fiind cea a unei maimu\u021be, iar pozi\u021bia altor femei Degas a fost calificat\u0103 drept „animalesc\u0103”.<\/p>\n

Dr. Maren Thom, cercet\u0103tor principal la MCC, se \u00eencadreaz\u0103 \u00een viziunea idealist\u0103 asupra artei. \u00cen opinia ei, frumuse\u021bea leag\u0103 oamenii \u00eentre ei. \u00cen calitate de critic de film, ea a ales filmul „Citizen Kane” al lui Orson Welles pentru a ar\u0103ta c\u0103 arta permite omului s\u0103 reproduc\u0103 capacitatea lui Dumnezeu de a crea frumuse\u021be, \u00een special \u00een momentele care ar putea fi numite „sfinte” sau „sublime” datorit\u0103 amestecului lor unic de emo\u021bii \u00een spa\u021biu \u0219i timp.<\/p>\n

Arta este ceva care ne transcende, ceva mai mare dec\u00e2t noi, dup\u0103 cum ar spune Kant \u00een Critica judec\u0103\u021bii; pentru Hegel, este sentimentul universalului, a\u0219a cum fanii \u00eemp\u0103rt\u0103\u0219esc un moment de conexiune interpersonal\u0103 pe un stadion de fotbal.<\/p>\n

Cu toate acestea, profesorul Thom a ad\u0103ugat c\u0103 aceast\u0103 discu\u021bie despre sublim pare \u00eenvechit\u0103 \u0219i \u00eenlocuit\u0103 de „vibra\u021bii”, un vocabular care exprim\u0103 o nou\u0103 concentrare \u00een care frumuse\u021bea este absent\u0103. \u00cen cinematografie, vibra\u021bia este considerat\u0103 a fi o afectare emo\u021bional\u0103 a imaginilor referitoare la afectarea anterioar\u0103. \u00cen timp ce cinematograful clasic obi\u0219nuia s\u0103 spun\u0103 pove\u0219ti, acum este mai mult o experien\u021b\u0103 care trebuie s\u0103 fie exprimat\u0103 artistic. Recentul film britanic „Saltburn” \u00eentruchipeaz\u0103 aceast\u0103 abordare.<\/p>\n

Pornind mai degrab\u0103 de la o concep\u021bie cre\u0219tin\u0103 a artei dec\u00e2t de la una idealist\u0103, cea de-a patra membr\u0103 a panelului, Emma Webb de la Common Sense Society UK, a fost de acord c\u0103 sub discu\u021bia despre art\u0103 se afl\u0103 o discu\u021bie \u00eentre metafizica cre\u0219tin\u0103 \u0219i metafizica hegelian\u0103.<\/p>\n

Un exemplu \u00een acest sens este controversa recent\u0103 cu privire la portretul regelui Carol al III-lea realizat de Jonathan Yeo. Se presupune c\u0103 faptul c\u0103 aceast\u0103 pictur\u0103 a creat o reac\u021bie public\u0103 demonstreaz\u0103 succesul s\u0103u: Arta ar trebui s\u0103 creeze o conversa\u021bie, aceasta este \u00een esen\u021b\u0103 ceea ce define\u0219te arta.<\/p>\n

Dimpotriv\u0103, metafizica cre\u0219tin\u0103 arat\u0103 un univers ordonat creat de Providen\u021ba divin\u0103, o baz\u0103 obiectiv\u0103 care a produs lucr\u0103ri precum frescele lui Michelangelo din Capela Sixtina de la Vatican.<\/p>\n

Defini\u021bia dialectic\u0103 a artei, ap\u0103rat\u0103 de metafizica hegelian\u0103, se termin\u0103 cu f\u00e2nt\u00e2na de por\u021belan a urinarului lui Marcel Duchamp. Teoreticieni critici precum Herbert Marcuse sus\u021bin c\u0103 arta ar trebui s\u0103 fie lipsit\u0103 de frumuse\u021be, ambele necesit\u00e2nd profanare. Dup\u0103 cum a explicat \u00een mod str\u0103lucit James Lindsay<\/a> \u00een seria sa de podcast-uri, Marcuse \u0219i al\u021bi membri ai \u0218colii de la Frankfurt sus\u021bin un proces dialectic \u00een istorie, \u00een care trecem dincolo de toleran\u021ba liberal\u0103, care nu ar face dec\u00e2t s\u0103 perpetueze ordinea conservatoare \u0219i „intoleran\u021ba vestimentar\u0103”, c\u0103tre o eliberare pozitiv\u0103 pentru a ne \u00eempotrivi istoriei noastre de opresiune.<\/p>\n

Acum tr\u0103im \u00een aceast\u0103 logic\u0103. Orice poate fi art\u0103, at\u00e2ta timp c\u00e2t serve\u0219te cauzelor progresiste; ei repudiaz\u0103 \u00een mod activ frumuse\u021bea \u0219i pun ur\u00e2tul \u00een locul frumuse\u021bii pentru a servi scopurilor politice. Dar, desigur, ceva \u00een noi ne spune c\u0103 aceasta este doar pseudoarte, subversiune \u0219i distrugere.<\/p>\n

De fapt, dialectica hegelian\u0103 se \u00eenghite pe sine. Ceea ce a fost odat\u0103 eliberator devine opresiv \u00een desf\u0103\u0219urarea istoriei. De exemplu, critica lui Hogarth la adresa epocii sale este acum descris\u0103 ca fiind colonialist\u0103 \u0219i sclavagist\u0103; c\u0103r\u021bile Virginiei Woolf sunt acum tip\u0103rite cu avertismente emise de mi\u0219carea woke.<\/p>\n

Mul\u021bimile vandalizeaz\u0103 statui \u00een Marea Britanie, iar vandalismul artistic este \u00een sine considerat art\u0103, \u00een fidelitate fa\u021b\u0103 de Mar\u0219ul Dialecticii.<\/p>\n","protected":false},"excerpt":{"rendered":"

Cu un titlu at\u00e2t de provocator, Mathias Corvinus Collegium (MCC) a organizat o dezbatere la Institutul Liszt din Bruxelles la 27 iunie 2024. Evenimentul a fost g\u0103zduit, \u00eenaintea Pre\u0219edin\u021biei maghiare a Consiliului Uniunii Europene, de E.S. Dr. Tam\u00e1s Iv\u00e1n Kov\u00e1cs, Ambasador Extraordinar \u0219i Plenipoten\u021biar al Ungariei \u00een Belgia \u0219i Luxemburg. Dr. Kov\u00e1cs a reamintit c\u0103 […]<\/p>\n","protected":false},"author":44,"featured_media":29740,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[183],"tags":[],"editorial-positions":[42],"regions":[365],"types":[456],"class_list":["post-29872","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-ro","editorial-positions-focus","regions-western-europe-ro","types-opinion-ro"],"yoast_head":"\n\u0218i-a pierdut Europa sim\u021bul frumuse\u021bii? - The Conservative<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theconservative.online\/ro\/si-a-pierdut-europa-simtul-frumusetii\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u0218i-a pierdut Europa sim\u021bul frumuse\u021bii? - The Conservative\" \/>\n<meta property=\"og:description\" content=\"Cu un titlu at\u00e2t de provocator, Mathias Corvinus Collegium (MCC) a organizat o dezbatere la Institutul Liszt din Bruxelles la 27 iunie 2024. Evenimentul a fost g\u0103zduit, \u00eenaintea Pre\u0219edin\u021biei maghiare a Consiliului Uniunii Europene, de E.S. Dr. Tam\u00e1s Iv\u00e1n Kov\u00e1cs, Ambasador Extraordinar \u0219i Plenipoten\u021biar al Ungariei \u00een Belgia \u0219i Luxemburg. 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Evenimentul a fost g\u0103zduit, \u00eenaintea Pre\u0219edin\u021biei maghiare a Consiliului Uniunii Europene, de E.S. Dr. Tam\u00e1s Iv\u00e1n Kov\u00e1cs, Ambasador Extraordinar \u0219i Plenipoten\u021biar al Ungariei \u00een Belgia \u0219i Luxemburg. 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