{"id":32352,"date":"2024-08-20T14:22:45","date_gmt":"2024-08-20T14:22:45","guid":{"rendered":"https:\/\/www.theconservative.online\/o-farsa-franceza"},"modified":"2024-08-20T14:24:31","modified_gmt":"2024-08-20T14:24:31","slug":"o-farsa-franceza","status":"publish","type":"post","link":"https:\/\/www.theconservative.online\/ro\/o-farsa-franceza","title":{"rendered":"O fars\u0103 francez\u0103"},"content":{"rendered":"<p>Peste tot \u00een lume cre\u0219tinii erau indigna\u021bi.<br \/>\nX a fost \u00een fl\u0103c\u0103ri.<br \/>\nIndignarea a fost tonul zilei.<br \/>\n\u00cen semn de protest, mul\u021bi au declarat c\u0103 nu vor mai urm\u0103ri niciun minut din transmisiunea acestor jocuri olimpice.<br \/>\nConferin\u021ba episcopal\u0103 francez\u0103 a descris partea ofensatoare a spectacolului drept &#8222;batjocur\u0103 \u0219i batjocorire a cre\u0219tinismului&#8221;.<br \/>\nSpectacolul de deschidere a fost condamnat de to\u021bi oamenii care g\u00e2ndesc corect \u0219i de to\u021bi oamenii de dreapta.<br \/>\nCeea ce, desigur, a fost scopul exerci\u021biului.<br \/>\nBine\u00een\u021beles c\u0103 oamenii cre\u0219tini au fost sup\u0103ra\u021bi, \u0219i nu doar cre\u0219tinii.<br \/>\nBine\u00een\u021beles c\u0103 \u0219i-au exprimat sentimentele, de furie, dar \u0219i de durere.<br \/>\nAr fi o prostie s\u0103 ne a\u0219tept\u0103m la altceva.<br \/>\nCu toate acestea, o reac\u021bie a fost ceea ce aceast\u0103 pies\u0103 de grotesc adolescent a r\u00e2vnit.<br \/>\nAd\u00e2nc \u00een psihicul extremei st\u00e2ngi se afl\u0103 un refuz eroic de a accepta realitatea.<br \/>\nEi nu se vor conforma lumii, ea trebuie s\u0103 se conformeze lor.<br \/>\nC\u00e2nd se confrunt\u0103 cu legile imuabile ale economiei, reac\u021bia fa\u021b\u0103 de lume este cea a unui copil de 14 ani furios care \u021bip\u0103 la tat\u0103l s\u0103u.<br \/>\nAsta nu e corect!<br \/>\nTe ur\u0103sc!<br \/>\nNu e\u0219ti tat\u0103l meu adev\u0103rat!<br \/>\nCeea ce a v\u0103zut lumea la Paris a fost un adolescent care s\u0103rea disperat \u00een fa\u021ba adul\u021bilor cer\u00e2nd s\u0103 fie observat \u0219i, asemenea unui c\u0103\u021bel care latr\u0103, aten\u021bia este important\u0103, nu calitatea aten\u021biei.<br \/>\nUn \u0219ut este la fel de bun ca o palm\u0103.<br \/>\nAce\u0219ti arti\u0219ti &#8222;curajo\u0219i&#8221; au fost (aici, alege\u021bi) provocatori, subversivi, pun\u00e2nd \u00een discu\u021bie, satiriz\u00e2nd, confrunt\u00e2nd, r\u0103zvr\u0103tindu-se, confrunt\u00e2nd, sfid\u00e2nd \u0219i a\u0219a mai departe.<br \/>\nEste cu adev\u0103rat unul dintre cele mai plictisitoare lucruri despre prietenii no\u0219tri din st\u00e2nga, faptul c\u0103 \u00eenc\u0103 trebuie s\u0103 \u00ee\u0219i imagineze c\u0103 sunt insurgen\u021bii curajo\u0219i, curajo\u0219ii sans culottes care atac\u0103 zidurile puterilor \u00eenr\u0103d\u0103cinate, arunc\u00e2ndu-se \u00eempotriva por\u021bilor castelului \u00een spatele c\u0103ruia se ascund for\u021bele corupte ale reac\u021biunii.<br \/>\nAcestea sunt la putere de genera\u021bii \u00eentregi.<br \/>\nEle conduc \u00een \u0219coli, la televiziune, \u00een cinematografie, \u00een edituri \u0219i \u00een art\u0103.<br \/>\nSe \u00eendoie\u0219te cineva de faptul c\u0103, \u00een 2024, \u00een celulele Bastiliei nu s-ar afla marchizul de Sade.<br \/>\nEl ar primi o subven\u021bie generoas\u0103 de la Consiliul Artelor \u0219i ar fi bine cotat \u00een Le Monde, iar atunci c\u00e2nd jurnali\u0219tii intrepizi i-ar \u00eentreba pe proletari \u0219i pe sans culottes de ce au votat pentru Le Pen, mai mul\u021bi ar spune c\u0103 s-au s\u0103turat ca taxele lor s\u0103 fie folosite pentru a sus\u021bine aristo perver\u0219i ca el.<br \/>\nAm v\u0103zut mul\u021bi francezi gr\u0103bindu-se s\u0103 scrie pe Twitter, sunt ru\u0219ina\u021bi, jena\u021bi \u0219i dezgusta\u021bi \u0219i a\u0219a ar trebui s\u0103 fie.<br \/>\nA fost \u00eengrozitor nu din punct de vedere moral, ci artistic.<br \/>\nA fost un festival al cli\u0219eelor.<br \/>\nDe fapt, nu a fost deloc \u0219ocant sau provocator sau subversiv.<br \/>\nA fost, \u00een limbajul legii, un simplu abuz vulgar.<br \/>\nFaptul c\u0103 na\u021biunea lui Cocteau \u0219i a Grand Guignol-ului ne-a oferit aceast\u0103 ofert\u0103 proast\u0103 este \u00eentr-adev\u0103r jenant.<br \/>\nAt\u00e2t de dureros de actual, at\u00e2t de \u00eengrozitor de con\u0219tient de sine.<br \/>\nDac\u0103 ar fi avut loc o lovitur\u0103 de stat \u00een cadrul grupului local de teatru de amatori \u0219i un grup de tineri intersec\u021bionali de 16 ani ar fi preluat puterea, v\u0103 promit c\u0103 asta este ceea ce ar fi produs.<br \/>\nCum putem fi \u0219oca\u021bi de ceea ce am mai v\u0103zut?                                  Prin ceea ce am v\u0103zut de multe ori \u00eenainte \u0219i f\u0103cut mai bine.<br \/>\nEstetica dominant\u0103, \u0219i acest lucru nu este spus \u00een batjocur\u0103, ci \u00een realitate, a fost Eurovision.<br \/>\nDac\u0103 a\u021bi vrea s\u0103 fi\u021bi amabili, a\u021bi putea spune c\u0103 regizorul a v\u0103zut, evident, ceva art\u0103 la un moment dat.<br \/>\nAu existat sclipiri de Pasolini, Fellini, Almodovar \u0219i Daft Punk de m\u00e2na a patra, dar au trecut 50 de ani de la filmarea filmului 120 days of Sodom \u0219i mai mult de 200 de ani de la scrierea acestuia, iar \u00een zilele noastre suntem \u0219oca\u021bi de The Bearded Woman doar atunci c\u00e2nd vrem.<br \/>\n&#8222;Reimaginarea&#8221; Cenaclului lui Leonardo este un exemplu \u00een acest sens, a fost menit\u0103 s\u0103 r\u0103neasc\u0103, nu s\u0103 provoace.<br \/>\n\u00cen afar\u0103 de Gioconda, exist\u0103 vreo alt\u0103 imagine \u00een art\u0103 care s\u0103 fie at\u00e2t de des subiect de pasti\u0219\u0103 \u0219i comedie?<br \/>\nAr fi uimitor dac\u0103 tocmai aceast\u0103 transformare a imaginii nu a fost f\u0103cut\u0103 \u00een cadrul unui eveniment de m\u00e2ndrie undeva \u00een ultimii 40 de ani.<br \/>\n\u00cen realitate, totul mirosea a un amestec de mar\u0219uri ale m\u00e2ndriei \u0219i acte Drag din 1998.<br \/>\nLipsa de originalitate \u00een ceva dedicat creativit\u0103\u021bii ar trebui s\u0103 \u00eengrijoreze \u0219apte persoane preocupate de s\u0103n\u0103tatea scenei artistice franceze.<br \/>\nEste u\u0219or, desigur, s\u0103 te \u00eentrebi de ce \u00een Fran\u021ba profund secular\u0103 ar trebui s\u0103 fie considerat curajos sau interesant s\u0103 ataci cre\u0219tinismul \u0219i s\u0103 exploatezi figura lui Hristos atunci c\u00e2nd sunt disponibile alte figuri mai interesante \u0219i mai provocatoare, dar un test nu este distractiv atunci c\u00e2nd r\u0103spunsurile sunt prea u\u0219oare.<br \/>\nExist\u0103 mul\u021bi pesimi\u0219ti care v\u0103d \u00een acest spectacol \u00eenc\u0103 o dovad\u0103 a mor\u021bii civiliza\u021biei noastre.<br \/>\nPoate c\u0103 Paglia are dreptate \u0219i aceasta este doar \u00eenc\u0103 o manifestare fin de siecle a unei culturi decadente.<br \/>\n\u00cen seara respectiv\u0103, am asistat la celebrarea lui Dionysos, iar Apollo nu a fost v\u0103zut nic\u0103ieri.<br \/>\nDac\u0103 este a\u0219a, atunci a\u0219a este, dar, per total, acest spectacol derivat prostesc a fost un lucru bun, un lucru foarte bun.<br \/>\nMajoritatea oamenilor nu acord\u0103, de cele mai multe ori, nicio aten\u021bie acelor lucruri care consum\u0103 vie\u021bile celor care iau parte la r\u0103zboaiele culturale.<br \/>\nMajoritatea oamenilor au din ce \u00een ce mai pu\u021bin\u0103 \u00eencredere \u00een ceea ce aud \u0219i citesc.<br \/>\nInternetul, prin crearea unui spa\u021biu \u00een care teoriile conspira\u021biei pot prospera, a creat, ca reac\u021bie, un scepticism \u00een care orice pare la prima vedere neverosimil sau bizar este respins ca fiind doar o alt\u0103 teorie a conspira\u021biei de c\u0103tre acei nebuni de dreapta.<br \/>\nOricine a luptat \u00een r\u0103zboaiele culturale din ultimii 10 ani v\u0103 va spune c\u0103 cel mai greu lucru este s\u0103 convingi oamenii &#8222;normali&#8221; s\u0103 cread\u0103 fapte neadev\u0103rate despre ceea ce se \u00eent\u00e2mpl\u0103 \u00een st\u00e2nga cultural\u0103.<br \/>\nSute de milioane de oameni din \u00eentreaga lume s-au a\u0219ezat la mas\u0103 a\u0219tept\u00e2ndu-se s\u0103 vad\u0103 o s\u0103rb\u0103toare a Fran\u021bei \u0219i a sportului \u0219i, \u00een schimb, l-au primit pe Iisus travestit.<br \/>\nMilioane de oameni obi\u0219nui\u021bi au avut ocazia s\u0103 vad\u0103 ce minuni \u00eei a\u0219teapt\u0103 \u00een viitoarea utopie, ceea ce ar putea u\u0219ura pu\u021bin lucrurile pentru acele suflete curajoase din tran\u0219ee, acum c\u0103 oamenii simpli au v\u0103zut cu ochii lor ceea ce nebunii de dreapta \u00eei avertizeaz\u0103 de ani de zile.<br \/>\nPisica iese din sac.<br \/>\nAcesta este un lucru foarte bun.<br \/>\nSe spune c\u0103 regizorul &#8222;poponar&#8221; al spectacolului a dorit s\u0103 creeze ceva care s\u0103 fie deschis \u0219i s\u0103 includ\u0103 pe toat\u0103 lumea.<br \/>\nCeea ce s-a \u00eent\u00e2mplat a fost o fereastr\u0103 extrem de util\u0103 \u00een lumea celor treji.<br \/>\nInclusivitatea pare foarte imperial\u0103, un colonialism cultural dispre\u021buitor.                         \u00cen anii &#8217;60, Fran\u021ba a exportat \u00een Statele Unite o teorie literar\u0103 care a evoluat \u0219i s-a metastazat \u00eentr-o ideologie totalizant\u0103 \u0219i, pe baza a ceea ce s-a v\u0103zut la Paris, st\u00e2nga progresist\u0103 francez\u0103 din 2024 a reimportat aceast\u0103 ideologie \u00eentreag\u0103 \u0219i nedigerat\u0103.<br \/>\n\u00centr-un act de arogan\u021b\u0103 uluitoare, o pies\u0103 de teatru despre care trebuie s\u0103 fi \u0219tiut c\u0103 va fi fie ostil\u0103, fie literalmente de ne\u00een\u021beles pentru marea majoritate a fiin\u021belor umane a fost prezentat\u0103 ca un act de incluziune.<br \/>\n\u00cen aceast\u0103 lume, limbajul \u00eenseamn\u0103 violen\u021b\u0103, deci cum poate fi interpretat acest act altfel dec\u00e2t violent.<br \/>\nMax Stirmer credea c\u0103 scopul Iluminismului &#8211; probabil se referea \u00een principal la Iluminismul francez &#8211; a fost \u00eenfr\u00e2ngerea lui Dumnezeu \u0219i, la fel ca Nietzsche dup\u0103 el, credea c\u0103 consecin\u021ba acestui fapt a fost de a l\u0103sa omul ca Dumnezeu \u00een locul s\u0103u.<br \/>\nEi bine, experien\u021ba secolului al<sup>XX-lea<\/sup> ne spune c\u0103 apoteoza nu a avut loc.<br \/>\nAu fost construite temple ale ra\u021biunii, dar \u00een cele din urm\u0103 Dionysos c\u00e2\u0219tig\u0103 b\u0103t\u0103lia \u0219i ra\u021bionalitatea este doar patriarhat \u0219i privilegiu alb.<br \/>\nPoate.<br \/>\nDesigur, oamenii vor fi fost jigni\u021bi de anumite elemente ale spectacolului.<br \/>\nSentimentele vor fi fost r\u0103nite.<br \/>\nCredin\u021be importante \u0219i sincere au fost batjocorite \u0219i \u0219ti\u021bi, asta este OK.<br \/>\nDa, este absolut discutabil dac\u0103 acesta a fost momentul \u0219i locul pentru a face asta.<br \/>\nCu siguran\u021b\u0103 pute\u021bi cere guvernului s\u0103 nu v\u0103 ia banii pentru a finan\u021ba oameni care v\u0103 batjocoresc \u0219i v\u0103 dispre\u021buiesc.<br \/>\nDincolo de spectacolul plin de cli\u0219ee grosolane, dincolo de str\u0103dania de a fi transgresiv, spectatorul a r\u0103mas cu un sentiment de lips\u0103 total\u0103 de con\u0219tiin\u021b\u0103 de sine.<br \/>\nAcesta a fost un obiect de recuzit\u0103 agit realizat de arti\u0219ti care tr\u0103iesc \u00eentr-o bul\u0103.<br \/>\nUrm\u0103rind aceast\u0103 comedie lipsit\u0103 de umor, cuvintele care mi-au venit \u00een minte nu au fost cele ale lui Zarathustra, ci ale acelui alt profet al anxiet\u0103\u021bii, Soren Kierkegaard: &#8222;Oamenii cer libertatea de exprimare ca o compensa\u021bie pentru libertatea de g\u00e2ndire pe care o folosesc rareori&#8221;              <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Peste tot \u00een lume cre\u0219tinii erau indigna\u021bi. X a fost \u00een fl\u0103c\u0103ri. Indignarea a fost tonul zilei. \u00cen semn de protest, mul\u021bi au declarat c\u0103 nu vor mai urm\u0103ri niciun minut din transmisiunea acestor jocuri olimpice. Conferin\u021ba episcopal\u0103 francez\u0103 a descris partea ofensatoare a spectacolului drept &#8222;batjocur\u0103 \u0219i batjocorire a cre\u0219tinismului&#8221;. Spectacolul de deschidere a [&hellip;]<\/p>\n","protected":false},"author":50,"featured_media":32147,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[183],"tags":[],"editorial-positions":[42],"regions":[365],"types":[456],"class_list":["post-32352","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-ro","editorial-positions-focus","regions-western-europe-ro","types-opinion-ro"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>O fars\u0103 francez\u0103 - The Conservative<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theconservative.online\/ro\/o-farsa-franceza\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"O fars\u0103 francez\u0103 - The Conservative\" \/>\n<meta property=\"og:description\" content=\"Peste tot \u00een lume cre\u0219tinii erau indigna\u021bi. X a fost \u00een fl\u0103c\u0103ri. Indignarea a fost tonul zilei. \u00cen semn de protest, mul\u021bi au declarat c\u0103 nu vor mai urm\u0103ri niciun minut din transmisiunea acestor jocuri olimpice. Conferin\u021ba episcopal\u0103 francez\u0103 a descris partea ofensatoare a spectacolului drept &#8222;batjocur\u0103 \u0219i batjocorire a cre\u0219tinismului&#8221;. 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